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Wednesday, May 1, 2013

An Experiment: 1 Image / 4 Mediums



I’m crazy about playing with… working with… playing with different mediums. Sometimes this propensity worries me (ok, I'm a worrier).  I recently challenged myself to an experiment. Compare and contrast by recreating one image, four ways, using three mediums I know plus one new one.  I wondered – if I did them all quickly, back to back – would the experiment reveal one or two that could be abandoned?

I wanted the image to be simplistic/illustrative and I figured whimsy would be my saving grace.  To that end, I used a silly drawing and painted all three canvases hot pink before starting. Click on any of these to see larger images.


1. Acrylic.  Energy.  I’ve enjoyed using acrylics in the Paper Dolls series, either in the women themselves or as the background for women painted in oil.  Acrylics present my biggest challenge for loosening up.  I tend to fiddle.  I love that acrylics play so well with others and they dry deliciously fast.  But, for the sake of this experiment?  Yaaawn. 


2. Paper.  Possibly my favorite.  I think it’s the graphic qualities – the images within the image – that lure me back.  And it brings out the hunter/gatherer/collector in me, too.  That aspect is like a bonus.  It’s impossible to be tight with paper – I just have to let those details go and that feels healthy.  Focus on finding the values.



3. Oil.  A dear, old friend.  I forget how great it is that oil paint doesn’t dry fast. So lenient and forgiving. I love the smell of linseed oil and the excitement of mixing colors in oil – so different from all others.  Oil is comfort paint, like Southern cooking.


4. Fabric.  The Johnny-come-lately.  I’ve wanted to try creating an image with textiles for some time.  Truth be told, I come from a long line of quilters and I sometimes dream I have a quilt inside me.  I flirt with tutorials and articles and many small projects and even a few larger ones. But I had never tried actually sandwiching a front and a back and a piece of batting and then quilting and binding.  Yikes.  This one’s like an overgrown potholder. Truly heinous.

~~~

I considered throwing in a watercolor at the end but I was bored with the experiment idea.  The pitfalls of artistic infidelity are not lost on me but will I throw a medium out?  Doubtful!  They are all just too much fun and one inspires the next!  What can I say?  I like what I like.  Happy creating and thanks for visiting.

Wednesday, April 17, 2013

The Moroccan

The Moroccan
30x40, paper on cradled canvas
SOLD
The Moroccan is large and working on him was my Christmas present to myself.  Once rhythm was restored after The Big Day mania passed and not a creature was stirring, I tore and glued and thumbed and ripped to my heart’s content.  All to say, The Moroccan has a warm, fuzzy aura settled around his shoulders – his bliss is built in.  I love him over the mantle, gazing through the rooms of our house, but he’s usually in a lower spot where we can walk up close and admire his fun details. See below.  

Hidden treasure includes a ticket stub to Les Mis, a favorite cookie fortune, a 1940s "recipe" for how to boil eggs, and a castle on his chinny-chin-chin.  Passing through the studio one day, our son home from college peered over my shoulder at The Moroccan in progress, bussed me on the cheek, and said, “thanks for the shout out, Mom.”

Crazy how art life evolves.  The Moroccan was inspired by the oversized red and beige hound’s-tooth patterned paper I found on two gift sacks at the little Port Aransas IGA grocery store several years ago.  They’ve been thumb-tacked up next to my desk all this time, just waiting.  Ca-ra-zy.

Thanks a lot for visiting. I am a less-than-faithful blogger but remain a constant creator.  C’est la vie.


Click on images for larger views.

Saturday, January 26, 2013

Modern Day Angel - Mixed Media

Hazel
11x14, mixed media on cradled board
purchase info below

I love Hazel. She might be in my Top 5 all-time favorites.  One reason, no doubt, is that she practically created herself. You know that feeling?  She was going to have a green dress and then - willy-nilly - it turned into pink and white stripes; she was going to have a gold halo but then poof! it wanted to be orange.  Lots of texture in the paper layer and a gentle sanding after she was painted really helped that texture shine through.  She even named herself.... with those eyes.  No framing necessary - she's painted red around the edges, see detail photos below. Double-click images for larger view - sorry about the glare on the detail photos.

Happy New Year to all.  Blessings and wishes for a great 2013!



Sunday, December 23, 2012

Mixed Media Painting on Collage

Addie
16x20, mixed media on cradled board
purchase info below
Another modern day angel. Her halo is just the tiniest bit sparkly, in a tarnished silver sort of way. Addie's a bit precocious, I think. No framing necessary. Hope everyone is enjoying the lovely pre-Christmas energy.



Thursday, December 13, 2012

A Modern-Day Angel


Isabel
9x12, mixed media on cradled board

A modern-day angel, she's made with lovely textured papers, lots of juicy paint, and a dress from magazine scraps but she's also scratched up, having hit her fair share of sandpaper. Her face came from my imagination but her hairdo belongs to one of my twisted sisters.   I'm so happy with Isabel. 
She's smaller than I've been working on lately - also fun - and the sides are painted greenish-turquoise so no framing required.  I continue to be inspired by Jane DesRosier.  Purchasing details below.

Friday, December 7, 2012

Monday, December 3, 2012

Blue Hair and Chinoiserie

Ruby, the Venetian
16x20, mixed media on cradled board
I love creating and painting these Paper Dolls. Be sure to double-click and see all the yummy layers. It is so fun to making art that's great when viewed from far away and then holds surprises galore when you walk up and look closely. Blue stenciled hair, a chinoiserie robe, and oil paint smooshed on with a palette knife - all on paper that peeks out around the edges.  The sides are finished in burnt umber - no need to frame. Painter Albert Herter's The Venetian was my inspiration.


Monday, November 26, 2012

My Own Little Cyber Monday Sale

Catchin Rays
12x12, oil on panel

Still Catchin' Rays: Trading Spaces
12x12, oil on panel
This was a young couple I snapped in Port Aransas.  Let's not call it stalking.  These two paintings look great side-by-side.  I loved the challenge of portraying same people/same place/different time/different light/different tide.  In honor of Cyber Monday, I'll sell them discounted - $350 for the pair. What a deal! Double-click to see larger images. Hope everyone had a great Thanksgiving!

Sunday, November 18, 2012

Bathing Beauty

Bathing Beauty
16x20, oil on panel
SOLD
I'm doing some long overdue blog work and thought I'd begin by re-posting a few paintings that are available for purchase.  This was a Port Aransas darling - I've painted her a couple of times. Loving those reflections!  Thanks so much for looking.

Tuesday, September 11, 2012

The (Funny) Seasons of an Artist: More Cartoons Than Sketches

In pencil below my shell sketch: 
"I've put seashells all over the house - inside or out - to remind us all:
Almost time to go to the beach!"

I couldn't resist keeping all of these cartoons from Andre Francois's The Tattooed Sailor in my sketchbook nor can I resist posting them here for my artist/pals.  Funny, right?  The spot color on each "season" is mine. Can anyone explain "Spring" to me?  I just don't get it. What is that on the stool? 

Thanks to those emailing me - faithfully following along with this sketchbook and even making their own!  It keeps me scanning and Photoshopping - truly the bug of this project. If posting sketchbook spreads was truly something I was going to do long-term, I'd be putting a bigger scanner on my Christmas list!





Friday, August 31, 2012

Now For Something a Little Different

Grace
16x20, paper on wrapped canvas
email me for info
Back to the Paper Dolls - this was soooo fun!  Like last year's Santa...click here to remember.   I keep asking myself, why don't I do more of this? Such a great value study exercise too.

  
double click on any photo for larger view



Sunday, August 26, 2012

Color Theory and Flocks of Pigeons

Another few pages from my sketchbook which began its life as a copy of famed French cartoonist Andre Francois's book The Tattooed Sailor.  Now dubbed The Tattooed Sailor & His Devoted Artist.  Click here to see how one became the other.  Click here to scroll through the pages.
Noodler's Habenero

I struggle with the whole color temperature concept... in every media.  I get it intellectually - I've read lots of books/articles on color theory, I've done these exercises a zillion times, I've stuck post-it notes on my easel and palette -- but it just doesn't click in practice.  Or at least I don't think it does... But, don't get me wrong. It's a fun struggle.
This summer I was reading Susie Short's posts about color... 

Saturday, August 18, 2012

The Tattooed Sailor: Flipflops and College

A tasty summer drink, my favorite shoes, an epaulette for a tail, and Shark Boy's gone to college. The pasted-in paper fragment came from an old recipe book that got paint on it... somehow. :)


Sunday, August 12, 2012

The Sailor and The Artist in the Garden

The background of this hibiscus page was splashed with Golden Fluid Acrylics several weeks before I got to the sketch.  The watercolors layered on top of the acrylics so beautifully... gotta love water-based media for how well they play with others.

Drawn with Noodler's Habenero... I love how it's not quite waterproof.  Yes, that's a big gully running down the middle - where two signatures meet.  Some people glue a piece of paper down to hide it... I might try that sometime.

Tuesday, August 7, 2012